What happens at the end of 400 Blows?
[4] Annette Insdorf, François Truffaut (New York: William Morrow, 1979), p. 33: “The 400 Blows ends with the boy escaping from reform school, running toward the sea, and when he reaches the water, a freeze-frame of his face expresses uncertainty.”
What is the meaning of The 400 Blows?
The English title of the movie “400 Blows” is a gross misinterpretation of the original title. The original title stems from the French expression “Faire les quatre cents coups”, meaning “to live a wild life”, as the main character does. Literal translation of the expression would be “to do the 400 dirty tricks”.
Is The 400 Blows autobiographical?
Jean-Pierre Léaud (centre) in Les Quatre Cents Coups (1959; The 400 Blows), directed by François Truffaut. The somewhat autobiographical tale follows 12-year-old Doinel (played by Jean-Pierre Léaud) as he tries to thrive despite his distant mother and father.
What year does 400 Blows take place?
1959
Francois Truffaut’s “The 400 Blows” (1959) is one of the most intensely touching stories ever made about a young adolescent. Inspired by Truffaut’s own early life, it shows a resourceful boy growing up in Paris and apparently dashing headlong into a life of crime.
What does Antoine write on the wall in The 400 Blows?
Punishment for that Antoine is given an extra homework assignment to write a paper on “why he defaced the classroom wall’ and tells Antoine, “Now, Doinel, go get some water and erase those insanities, or I’ll make you lick the wall, my friend.” There’s an interesting moment in the classroom scene that Truffaut added …
How is 400 Blows French New Wave?
Not only is The 400 Blows deeply personal for Truffaut, a common element of many New Wave films, but it also displays many of the cinematic qualities of the film movement, such as the mix of realistic and artistic and the self-reflexivity. Even as they began directing films, they continued writing as critics.
How is The 400 Blows a realist film?
The 400 Blows definitely showcases naturality and realness because of it being filmed in parts of Paris instead of using other non-realistic methods like backdrops, stages, etc. to indicate specific locations.
How old is Antoine in The 400 Blows?
14-year-old
14-year-old Antoine Doinel is unfairly punished in school by his teacher in French literature.
Who wrote The 400 Blows?
François Truffaut
Marcel Moussy
The 400 Blows/Screenplay
Where does The 400 Blows take place?
Paris
Most of The 400 Blows / Les quatre cents coups was filmed in various Paris locations (“Filming Locations”), except for the closing reform school segment, set in Honfleur (“Filming Locations”), a small sea coast town located in the northern French province of Normandy.
Why does Antoine steal the typewriter?
To get money Antoine steals a typewriter from his father’s office. The machine is unsellable, so he brings it back to the office, where he is caught by an office janitor.
What happens to Antoine Doinel?
The Adventures of Antoine Doinel Towards the end of the film, he is sent to a reform school, from which he escapes to places unknown.
What is the story behind the 400 Blows?
The narrative of The 400 Blows condenses events drawn from several years of Truffaut’s own childhood into what appear to be a few weeks or months in the life of Antoine Doinel.
Who are the actors in the 400 Blows?
The 400 Blows ( French: Les Quatre Cents Coups) is a 1959 French New Wave drama film, and the directorial debut of François Truffaut. The film, shot in DyaliScope, stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier.
Where was the 400 Blows filmed?
Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character. The 400 Blows received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d’Or nomination in 1959.
What awards did the 400 Blows win?
The 400 Blows received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d’Or nomination in 1959, and was also nominated for an Oscar for Best Writing in 1960. The film had 4.1 million admissions in France, making it Truffaut’s most successful film in his home country.